000			01894nam a22002297a 4500
003			OSt
005			20180711145337.0
008			180711b xxu||||| |||| 00| 0 eng d
020			_a9781409400028
040			_aAE-AdNL _beng
050	0		_aNB619. _bN67 2010
100	1		_aGlass, Dorothy F. _eAuthor _9424
245	1	3	_aThe sculpture of reform in north Italy, ca. 1095-1130 : _bhistory and patronage of Romanesque façades / _cDorothy F Glass.
246	0		_aHistory and patronage of Romanesque façades.
260			_aFarnham, Surrey, England ; Burlington, VT : _bAshgate, _c©2010.
300			_axvi, 280 pages, 83 pages of plates : illustrations, maps ; _c24 cm.
520			_a"Declining to revisit questions of artistic personalities, artistic style and connoisseurship, Dorothy F. Glass delves instead into the historical and historiographical context for a group of significant monuments erected in Italy between the last decade of the eleventh century and the first third of the twelfth century. In her reading, local culture takes precedence over names, context over connoisseurship; she argues that it was the cultural, intellectual and religious life of the abbeys of San Benedetto Po and Nonantola that provided the framework for the Reformist ethos of much of the sculpture adorning the cathedral of Modena. Glass argues that the monuments are deeply rooted in the concerns of the reform of the church, more commonly known as the Gregorian Reform, that these reform ideas and ideals were first fomented in monastic communities and then adopted by the new cathedrals built in cities that, freed of submission to imperial German rule, had recently rejoined the papal fold."--Provided by publisher.
650		0	_aSculpture, _xRomanesque. _zItaly, Northern. _9425
650		0	_aSculpture, _xItalian _zItaly, Northern. _9426
650		0	_aFacades _zItaly, Northern. _9427
942			_2lcc _cBK
999			_c161 _d161